Protect Your Work with Copyright


Protect Your Work with Copyright

 

Protect Your Work with Copyright

 

Understanding Copyright Protection for Creative Works

In the world of creative expression, originality deserves protection. That’s where copyright comes in. This legal safeguard grants creators exclusive control over the use and distribution of their works. It applies to a wide range of creations, including books, music, artwork, plays, and films.¹ The moment you bring an original work into existence, protection begins automatically, typically lasting for your lifetime plus 70 years.²

 

Unveiling the Copyright Mystery

Think of copyright as a shield defending the unique way you express an idea. These rights give you the authority to decide how your work is reproduced, shared, displayed, performed, or even transformed into derivative works.³ While protection arises at the moment of creation, no formal registration is required.⁴ However, registering with the U.S. Copyright Office offers additional advantages:

  • Public Record of Ownership: Your claim is entered into the official database, serving as undeniable proof of authorship.

  • Access to Federal Court: Registration allows you to take legal action for infringement, and timely registration strengthens your claim in court.

  • Enhanced Remedies: Successful infringement claims with a registered work may entitle you to statutory damages and attorney’s fees.⁵

 

How to Secure Copyright Protection

There are two main ways to secure and reinforce your ownership:

  1. Publish with a Copyright Notice: Include the © symbol, year of publication, and your name as the rights holder.

  2. Register with the U.S. Copyright Office: This involves completing an application, paying the filing fee, and submitting a copy of the work being registered.⁶

 

What Copyright Does Not Protect

Certain things cannot be protected, such as facts, ideas, systems, methods of operation, titles, slogans, or short phrases.⁷ Additionally, materials like blank forms, government documents, or works already in the public domain are excluded.⁸

 

Duration of Protection

Generally, works created after January 1, 1978, are protected for the author’s lifetime plus 70 years.⁹ For anonymous, pseudonymous, or works made for hire, the term lasts 120 years from creation or 95 years from publication, whichever comes first.¹⁰

 

Benefits for Creators

Owning these rights allows you to control how your work is used. You can sell, license, or transfer your ownership.¹¹ Additionally, you have legal grounds to act against unauthorized use.¹²

 

Protecting Your Investment

If you suspect infringement, you can send a cease-and-desist letter. If the issue persists, filing a lawsuit is an option.

Tips to Strengthen Copyright Protection:

  • Keep documentation of your creative process—drafts, sketches, or correspondence.

  • Always display the © notice on published works.

  • Consider registration with the U.S. Copyright Office for added security.

  • Seek legal guidance from an attorney specializing in intellectual property.

 

Disclaimer

This article is for informational purposes only and does not constitute legal advice. Please consult with an attorney for specific legal guidance.

1Copyright.gov: Copyright in General,https://www.copyright.gov/help/faq/faq-general.html#:~:text=Copyright%2C%20a%20form%20of%20intellectual,%2C%20computer%20software%2C%20and%20architecture (last visited February 6, 2024).

 

2 Copyright.gov: How Long Does Copyright Protection Last?,https://www.copyright.gov/help/faq/faq-duration.html#:~:text=As%20a%20general%20rule%2C%20for,plus%20an%20additional%2070%20years (last visited February 6, 2024).

 

3Congressional Research Service: Copyright Law: An Introduction and Issues for Congress, https://crsreports.congress.gov/product/pdf/IF/IF12339#:~:text=Exclusive%20Rights%20of%20Copyright%20Owners,%2C%20sequel%2C%20or%20dramatization (last visited February 6, 2024).

 

4Copyright in General,https://www.copyright.gov/help/faq/faq-general.html#:~:text=Copyright%2C%20a%20form%20of%20intellectual,%2C%20computer%20software%2C%20and%20architecture (last visited February 6, 2024).

 

5 Id.

 

6Id.

 

7Id.

 

8Id.

 

9: How Long Does Copyright Protection Last?, https://www.copyright.gov/help/faq/faq-duration.html#:~:text=As%20a%20general%20rule%2C%20for,plus%20an%20additional%2070%20years (last visited February 6, 2024).

 

10Id.

 

11Copyright Law: An Introduction and Issues for Congress, https://crsreports.congress.gov/product/pdf/IF/IF12339#:~:text=Exclusive%20Rights%20of%20Copyright%20Owners,%2C%20sequel%2C%20or%20dramatization (last visited February 6, 2024).

 

12 Id.

 



Non-U.S. (foreign) copyrighted works should be registered with the U.S. Copyright Office


by Henry Park, Esq.
Of Counsel and Registered U.S. Patent Attorney
Copyrights are territorial rights, which means that they are granted by—and limited to—the jurisdiction in which the copyright claimant seeks protection. To avoid this limitation, 171 countries have signed the Berne Convention for the Protection of Literary and Artistic Works.

 

Under the Berne Convention, signatories recognize that the works from one contracting state must be given the same protection in each of the other contracting states as the latter gives to its own nationals. See Berne Summary at http://www.wipo.int/treaties/en/ip/berne/summary_berne.html (1) Authors shall enjoy, in respect of works for which they are protected under this Convention, in countries of the Union […] the rights which their respective laws do now or may hereafter grant to their nationals, as well as the rights specially granted by this Convention.

 

See Berne Convention, Article 5(1) at http://www.wipo.int/treaties/en/text.jsp?file_id=283698#P109_16834. Moreover, that protection must not be conditioned upon compliance with any formality. See supra Berne Summary.

(2) The enjoyment and the exercise of these rights shall not be subject to any formality[.]
See Berne Convention, Article 5(2) at http://www.wipo.int/treaties/en/text.jsp?file_id=283698#P109_16834.

Non-U.S. copyrights, Best Law Firm in Brooklyn New York | Law Firm of Dayrel Sewell

When the U.S. became a signatory to the Berne Convention, it amended its copyright laws through the Berne Convention Implementation Act of 1988. Specifically, the U.S. amended Section 411 to require the registration of only domestic works before a copyright lawsuit can be filed. See 17 U.S.C. § 411(a).

Thus, a non-U.S. copyright claimant (i.e., foreign claimant) can initiate a copyright infringement lawsuit in the U.S. based on its foreign copyrights without registering them.

 

The U.S., however, did not amend Sections 410(c) or 412. Section 410(c) grants a presumption of validity to registered works, which affects the order of proof. See 17 U.S.C. § 410(c). Section 412 makes timely registration a prerequisite for certain remedies: the award of statutory damages and of attorneys’ fees. See 17 U.S.C. § 412.

 

[The committee] has concluded that the statutory incentives for registration contained in the provisions of sections 410(c), 412, and 205 of the Copyright Act are not preconditions for the ‘enjoyment and exercise’ of copyright. While those provisions substantially enhance the relief available to the proprietor of a registered work, they do not condition the availability of all meaningful relief on registration, and therefore are not inconsistent with Berne.

 

Elsevier B.V. v. UnitedHealth Group, Inc., 93 U.S.P.Q.2d (S.D.N.Y. Jan. 10, 2010) (quoting from Senate Report No. 100-352).
To avail oneself of the benefits associated with Section 412, the copyright holder must timely register its works.

 

 

– for an unpublished work, that the work is registered before any infringement

– for a published work, that the work is registered within three months of its first publication See 17 U.S.C. § 412. Once timely registered, the copyright holder may claim statutory damages instead of having to prove actual damages and the actual infringer’s profits. See 17 U.S.C. § 504(c). Statutory damages are determined by the court and range from between $750 – $30,000 per infringed work, and can go up to $150,000 per work if the infringement was willful. See 17 U.S.C. § 504(c). Additionally, the copyright holder may recover its costs and, if it is the prevailing party, its reasonable attorney’s fees. See 17 U.S.C. § 505; see also Kirtsaeng v. John Wiley & Sons, Inc., 579 U.S. ___ (2016) (a court examines a variety of factors when determining whether to award attorney’s fees, but should put substantial weight on the reasonableness of the losing party’s position). Both of these benefits are particularly strong negotiating tools. Thus, foreign copyright claimants should timely register their foreign copyrights with the U.S. Copyright Office to avail themselves of all potential relief under U.S. Copyright Law.